A version of this review previously appeared in Shelf Awareness and is republished here with permission.
"I'm not going to tell you everything. Just the things I think you should know." These thoughts from the mind of a Mary Kubica character perfectly encapsulate her maddeningly tantalizing style. The Other Mrs., her fifth standalone thriller, solidifies Kubica (When the Lights Go Out) as a master of the multi-perspective mind-twister.
Sadie and Will Foust leave plenty behind in Chicago when they relocate to Portland, Maine--most of it bad: Will's affair, Sadie's legal problems at work and oldest son Otto's expulsion from school. Unfortunately, their "fresh start" is marred by its own troubles. The home bequeathed to them by Will's sister, who hung herself in the attic, comes with his openly hostile teen niece. There's history they just can't shake, including threatening messages, inklings of Will's infidelities and Sadie's random disappearing acts. When a neighbor is murdered, all signs point to something amiss in the Foust home.
Kubica dangles bits of bait only to yank them from view and replace them with three more. Despite the swirl of characters and activity, past and present, the narrative always feels under control. Its outlandishness is a purposeful, compelling level of chaos that Kubica deftly manipulates. Through the voices of Sadie, Camille (Will's former mistress) and a mysterious, mistreated girl nicknamed Mouse, Kubica doles out a psychological whopper of a tale. The Other Mrs. is a roller coaster with tracks that dip from view and turn unexpectedly, creating unease enhanced by a compulsion to race forward for an answer to the burning question: "Who is Mouse?"
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