A version of this review previously appeared in Shelf Awareness and is republished here with permission.
Joan Didion has long been a symbol of literary and cultural cool. Marked by a pervasive sense of place, particularly her native California, Didion's writing created what style and culture writer Steffie Nelson felt as a "visceral pull" to Los Angeles. Nelson, former editor-in-chief of Pasadena magazine, further sensed Didion's impact while organizing a literary event examining the "promise of the West." Conversations with other writers "who had also migrated to the City of Angels with their creased copies of Slouching Towards Bethlehem" (Didion's 1968 collection of pieces on California counterculture) buttressed Nelson's belief that "every writer in Los Angeles probably had something to say about Joan Didion." She has now gathered them together to say it.
Slouching Towards Los Angeles contains 25 essays by writers, editors and journalists, 20 of whom are women, "a ratio [Didion] helped make possible." Wide-ranging in subject, "perhaps even a little schizophrenic," these entries speak to the influence Didion's multi-faceted legacy had on each author's personal encounters with the Western United States. Whether contemplating a particular Didion essay, a public interaction, a lesson learned, an architectural marvel, an iconic photograph or a '60s benchmark (the Manson murders make multiple appearances), the pieces reflect Didion's depth of substance and unflappability.
Didion enthusiasts will experience themes through sharp and clever new lenses. Newcomers to the canon will likely be moved to acquaint themselves. Nelson's "love letter and thank you note, personal memoir and social commentary, cultural history and literary critique" is an eccentric trip through Didion's California.
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