Friday, September 27, 2019

TELL IT TO THE WORLD :: Stan Grant

A version of this review previously appeared in Shelf Awareness and is republished here with permission.

A television news and political journalist and a member of the Wiradjuri tribe of Indigenous Australians, Stan Grant offers a painfully insightful look at the tragic history of Indigenous people in Australia since the British arrived in the 18th century and started colonizing the continent.

Originally published as Talking to My Country in 2016, the book began as a response to the racist humiliation of Indigenous footballer Adam Goodes. Published in the U.S. for the first time as Tell It to the World, this is a transparent look at the full history of Australia and the historic efforts to marginalize and erase Indigenous people.

Grant's family is a microcosm of the horrors of early settlement. John Grant, a forebear, was an Irish Catholic who rose up against the English. He was convicted and sent to the penal colony, "a man in chains, hounded by tyranny, banished from the soil of Tipperary.... He died the wealthiest Irish Catholic in the colonies." As a white man he thrived, while the Indigenous, including his relations, were slaughtered at places now named for their atrocities, such as Poison Waterholes Creek and Murdering Island.

And still today in Australia, Indigenous people are disproportionately suicidal, imprisoned and "trapped by the tyranny of low expectations." In this memoir of a boy, his family and their land, Grant puts lyrical words and truth to the idea that "a truly great country... should be held to great account."

STREET SENSE: As a half-Aussie, I was aware, yet nowhere near sufficiently aware, of the history of Indigenous Australians. Stan Grant shares an important look at the historical repression of Australia's first people ('The Great Australian Silence") and the idea that a truly great country should be held to great account.

A FAVORITE PASSAGE: As the frontier passed, my people were not fading away. We had become 'the Aboriginal problem' and now there was a solution. It was a great Australian prophecy, written in law and given a name: Assimilation. As the policy stated: '...the destiny of the natives of aboriginal [sic] origin, but not of the full blood, lies in their ultimate absorption by the people of the Commonwealth...' Absorption: Think about that word. To us it meant that we would lose all traces of our culture and our heritage. It meant that we would lose our families.

COVER NERD SAYS: This was a book I chose based on content without regard for the cover. Which is a good thing, because the cover is something of a disappointment. It doesn't evoke any emotion in me, certainly not any emotion that serves the content. It feels cartoony, which doesn't seem right. The leaves feel like an afterthought to paint it with some cultural content. It would have been more powerful without them (just the black and white text), but it also deserved more attention from the get-go.

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About Malcolm Avenue Review

I was lucky enough to be born and raised in a nifty, oak-shaded ranch house on Malcolm Avenue, a wide-laned residential street with little through traffic, located amid the foothills of Northern California. It was on that street and in that house I learned most of my adolescent life lessons, and many grown-up ones to boot. Malcolm Avenue was "home" for more than thirty years.

It was on Malcolm Avenue, through and with my family and the other families that made up our neighborhood of characters, that I first learned about and gained an appreciation for the things I continue to love the most to this day: music, animals, photography, sports, television/movies and, of course, books.

I owe a debt of gratitude to that life on Malcolm Avenue. It gave me a sense of community and friendship, support and adventure. For better and worse, life on that street likely had the biggest impact on the person I've become. So this blog, and the things I write here, are all, at their base level, a little bit of a love letter to Malcolm Avenue.

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